YOKO ONO | i‘ll be back
tuesday may 25th, 2010
october 30th, 2010
monday to friday, 4–8pm
or by appointment
STUDIO STEFANIA MISCETTI is proud to announce I’LL BE BACK, a new exhibition by the artist Yoko Ono. This exhibition has been conceived especially for the Studio Miscetti gallery space, as an installation incorporating a dialogue with Italian Futurists’ fervor, using images, sound, appropriations and alterations.
“I was walking into the Futurism exhibition at Tate Modern, the last day of my stay in London. Suddenly the Manifesto of Futurism hit my eyes. (…) My eyes rapidly became filled with tears and I could not read on…Yes. yes. yes. We intend to sing the love of danger, the habit of energy and fearlessness… Courage, audacity, and revolt will be essential elements of our poetry. Exactly! (…) Feverish Insomnia is our world. It is accelerating, as well. But Art is going the other way…to the graveyard of sleep and illusory ecstasy. Why? Some people even seem to have been insulted by my energy, mistaking audacity to aggression, and fearlessness to something to fear. (…)”
Yoko Ono, June ‘09
YOKO ONO is a multi-media artist who constantly challenges the traditional boundaries of art. She is known for her groundbreaking conceptual and performance pieces, experimental films and music.
Read and download the exhibition’s press release.
YOKO ONO is an artist whose thought-provoking work challenges people’s understanding of art and the world around them. From the beginning of her career, she was a Conceptualist whose work encompassed performance, instructions, film, music, and writing.
Ono was born in Tokyo in 1933, and moved to New York in 1953, following her studies in philosophy in Japan. By the late 1950s, she had become part of New York Cityʼs vibrant avant-garde activities. In 1960, she opened her Chambers Street loft, where she and La Monte Young presented a series of radical performances and exhibited realizations of some of her early conceptual works. In 1961, she had a one-person show of her Instruction Paintings at George Maciunas’ legendary AG Gallery in New York, and later that year, she performed a solo concert at Carnegie Recital Hall of revolutionary works involving movement, sound, and voice. In 1962, she returned to Tokyo, where, at the Sogetsu Art Center, she extended her New York performance and exhibited her Instructions for Paintings. In 1964, Ono performed Cut Piece in Kyoto and Tokyo, and published Grapefruit, a book of her collected conceptual instruction pieces. At the end of that year, she returned to New York.
In 1965, she performed Cut Piece during her concert at Carnegie Recital Hall, Bag Piece during a solo event for the Perpetual Fluxus Festival, and she performed Sky Piece to Jesus Christ during the Fluxorchestra concert at Carnegie Recital Hall that September. In 1966, she made the first version of Film No. 4 (Bottoms), and realized a collaborative installation The Stone, at the Judson Gallery. In the fall of 1966, she was invited to take part in the Destruction in Art Symposium in London, and later that year, held one-person exhibitions at the Indica Gallery, and the Lisson Gallery the following year. During this period, she also performed a number of concerts throughout England. In 1969, together with John Lennon, she realized Bed-In, and the worldwide War Is Over! (if you want it) campaign for peace. Yoko Ono travels annually to Iceland for the lighting of her IMAGINE PEACE TOWER, which she created in 2007 as a permanent installation on Viðey Island, Iceland. She continues to work tirelessly for peace with her IMAGINE PEACE campaign.
Today, Ono is widely recognized for her groundbreaking films and her radical music, recordings, concerts, as well as her performance art.
For a more complete artist profile, see the artist page.
more exhibitions by YOKO ONO with STUDIO STEFANIA MISCETTI.
more catalogues by YOKO ONO with STUDIO STEFANIA MISCETTI.