MARY ZYGOURI | democratic valuation: buying, selling, trading
thursday november 11th, 2010 – 6PM
november 27th, 2010
tuesday to saturday, 4–8PM
or by appointment
STUDIO STEFANIA MISCETTI presents democratic valuation: selling, buying, trading by Mary Zygouri (born in Athens, where she lives and works), which is a performance specially realized for Señales Rojas, project organized by the Italian Latin American Institute of Romeand Volume! Foundation, curated by Patricia Rivadeneira.
Mary Zygouri deals with issues related to individual and social identity crisis in the contemporary world. In her works, she invents and impersonates fictional characters and inserts them in real and everyday contexts. She creates false identities and presents them in public actions and video-performances, consequentially producing surreal and paradoxical atmospheres. Zygouri realizes situations that deal with the definition of self-identity in relation to power, censorship and surveillance systems. She often takes as staring point historical events and their many interpretations, narrations and literary myths, and revises them by transferring and re-actualizing all to an imaginary present. The artist takes as reference the myth of Sisyphus, metaphor of the impossibility of achieving the ‘purpose’, of identifying the ‘sense’ although endless attempts, to realize a strong emotional performance that will start from STUDIO STEFANIA MISCETTI at 7.30 pm, will cross the river and Via dei Pettinari, ending at IILA, in via dei Catinari n.3. This piece represents the evolution of a work-performance that the artist acted in Thessaloniki in 2009 (during the 1st Festival of Performance, Thessaloniki Biennale, which she dedicated to Maria Karavela, who was the first Greek woman performer that had been exiled because of the strong political aspects of her work) and then in Naples in 2010 (within the project ΠΩΛΕΙΤΑΙ Vendesi, Palazzo delle Sperimentazioni, Fondazione Morra).
For her new performance, Zygouri drags and carries bulky white bags, sort of painful body prosthesis, aiming to link history with present reality by interacting with social urban context difficulties. This is a metaphor of democracy seen as an uncertain and difficult long route, which requires everybody’s commitment and participation to be realized in its profoundest meaning.
On display at STUDIO STEFANIA MISCETTI will also be a series of photographic works and the trilogy ZOOPETICS ZOOPOLITICS, which includes three video-performances: Symbiosis (2007), Decadence (2008) and Long Live the King (2010).
In the video Symbiosis, already presented at STUDIO STEFANIA MISCETTI within SHE DEVIL 2 (2007), Zygouri refers to the life of Jorge Louis Borges, who, as opponent of the authoritarian politics of Peron, had been removed by his office as librarian and appointed Inspector of hencoops, position that he obviously refused. The atmosphere is surreal: Valentine, a fictional secretary whose name refers to the famous Olivetti typewriter model, is typing words inside a huge chaotic herd of hens.
Decadence, shot in Salento (Puglia), shows a mysterious female figure traveling along a sunny desert country in a time suspended between past and future. An indefinable vehicle, which recalls the shape of a spaceship, seems to be about to shatter. The contrast between the ramshackle vehicle and the glorious female figure creates a decadent and grotesque atmosphere. The artist takes as reference Thomas Mann, who in a passage of his book Royal Highness (1909) describes the decadent greeting of an old army general, who is seeking for recognition.
In Long Live the King, the artist confronts herself with the grandeur of an elephant. The starting point for this work is the story of Loisel contained in Historie des menageries de l’Antiquite a nos jours (1912). This novel tells about the custom in the Versailles Palace to bring and show to the Sun King unusual and surprising animal species. Specifically, the treated passage is concerned with the admiration felt by Louis XIV in seeing a living elephant. His emotion was so strong to make him decide to let famous artists paint the animal. In the video, the authority represented by Louis XIV and the Versailles Palace is transferred on the animal, with which the artist humbly and desperately duels in an ironic and at the same time cynically seductive scene.
Read and download the exhibition’s press release.
MARY ZYGOURI addresses issues related to individual identity and social crisis in the contemporary world. In her work she invents and impersonates fictional characters in reality, false identities presented in public actions and video-performances with symbolic and paradoxical results. She focuses on the notion of self in relation to systems of power, censorship, and surveillance.
For a more complete artist profile, see the artist page.
more exhibitions by MARY ZYGOURI with STUDIO STEFANIA MISCETTI.