MARIA LAI | una fiaba infinita

Maria Lai, Una fiaba infinita, 1994, exhibition view

solo exhibition

exhibition opening:
thursday march 3rd, 1994 – 6.30pm

exhibition closing:
march 15th, 1994

opening hours:
tuesday to saturday, 4-8pm

 

this exhibition is one of the three exhibition dedicated to the artist in 1994, alongside inventare altri spazi (Scuderie di Palazzo Ruspoli) and la natura dell’artificio (A.A.M. Architettura Arte Moderna).

about.

INVENTARE ALTRI SPAZI [INVENTING OTHER SPACES] is the title of the exhibition presented by Arte in Scena at the Scuderie di Palazzo Ruspoli, bringing together the most significant pieces from the artist’s 50-year career. The different techniques adopted by Maria Lai during the different phases of her working life are presented in chronological order. 

The exhibition is divided into two parts:
The first is spread across several rooms, containing: the artist’s drawings from the 1940s and 1950s, which are of particular interest as the starting point of her artistic activity; a number of oil paintings, marking the move into greater abstraction; the first mixed media canvases, which prefigure the looms of the 1960s, a critical point in her development; the pages of fabric written with thread; the canvas books inspired by legends and fairy tales; and finally the extraordinary “Geographies” of the 1980s, the woven fabrics that evoke stories, constellations and worlds.

The second part features the remarkable installation put together especially for the occasion, composed of cement, ceramics and gold.
The artist’s sculptures – ceramic portraits, bread sculptures and enamelled figurines – are distributed over the course of the whole exhibition, in between the other pieces. The exhibition concludes with the final piece in chronological order, the unsettling “Maria Pietra” [Mary Stone], a small terracotta head with a large boulder balanced on it in seemingly impossible equilibrium.

Elsewhere, blown-up images of Lai’s land art projects, created directly onto the landscape in the hills of her home town of Ulassai, are also on display. The latest of these is a structure designed to contain landslides, dressed with grass, metal shapes, stones and rock.

Maria Lai is considered one of the most original artists at work today. Born in Sardinia, she studied in Rome and then in Venice, under Arturo Martini and Alberto Viani. Although these two meetings were crucial to her development, Lai has always maintained that an artist must follow their own path, freeing themselves from everything, even their own roots, so as to break new ground, pour cement over it, find a rock, and allow the whole to set.
Indeed, starting from an interesting early practice of painting and drawing, Maria Lai eventually found her own, very original path. Using materials from everyday life – wood, thread, clay and bread – she began to construct images of remarkable singularity which, oblivious to their material origins, expand into fantastic visions, geographies of the world and stories of the earth.

Alongside the above, the exhibition entitled, UNA FIABA INFINITA [An Endless fairy tale] will also open at the Studio Stefania Miscetti on 3 March at 18:00, with work focusing on Lai’s extensive research into fairy tales and fantastic stories. The books and drawings presented contain a symbolic charge made apparent by their essential form.
The same evening will also see the inauguration of an exhibition dedicated to Maria Lai‘s land art projects at AAM Architettura Arte Moderna, which testifies to how her work has always had a regional dimension. This exhibition, also divided into two sections, features some of the artist’s original materials, notably sketches for the major Ulassai intervention and visual suggestions of its retaining walls, raised up from the shapeless condition in which they began and imbued with their own particular size and shape.
The second part of the exhibition includes project design visuals produced by students from the European Design Institute for a potential exhibition of Maria Lai‘s work. A series of photos taken by the same students is also on display, giving renewed meaning to the locations and the artist’s “work-in-progress” methodology.  
 

 

artist.

for a more complete artist profile, see the artist page.

more.

exhibition catalogue.

MARIA LAI
una fiaba infinita

exhibition catalogue
arti grafiche pisano, cagliari, 1994

Studio Stefania Miscetti | Catalogues | Maria Lai | Una fiaba infinita

more exhibitions.

more exhibitions by MARIA LAI with STUDIO STEFANIA MISCETTI.

Studio Stefania Miscetti | Contemporary Art Rome | Exhibition: She Devil X - Re-Sisters

MARIA LAI

pagine
january 18th – may 5th, 2018

Studio Stefania Miscetti | Contemporary Art Rome | Exhibition: BUON DOMANI A BETTER TOMORROW

BUON DOMANI – A BETTER TOMORROW

group show
december 9th, 2010 – january 29th, 2011

Studio Stefania Miscetti | Contemporary Art Rome | Exhibition: MARIA LAI - A portata di mano

MARIA LAI

a portata di mano
march 10th-24th, 2005

Studio Stefania Miscetti | Contemporary Art Rome | Exhibition: ANABLEPS Group show

ANABLEPS

group show
march 9th – april 28th, 2000

Studio Stefania Miscetti | Contemporary Art Rome | PALLE - Group show

PALLE

group show
december 10th, 1993 – january 1994

 

Studio Stefania Miscetti | Contemporary Art Rome | MARIA LAI - La leggenda di Maria Pietra

MARIA LAI

la leggenda di maria pietra
june 6th, 1991

more catalogues.

 more catalogues by MARIA LAI with STUDIO STEFANIA MISCETTI.

Studio Stefania Miscetti | Catalogues | Anableps

ANABLEPS

catalogue of the exhibition
tipo-lito aurelia 72, rome 2000

Studio Stefania Miscetti | Catalogues | Maria Lai | Una fiaba infinita

MARIA LAI
la paura e la pietra

exhibition catalogue
rotoeffe, ariccia 1992