STEPHANIE SMITH

1968
born Manchester, England

ART EDUCATION

1986-87      
Foundation Year, Manchester Polytechnic

1987-91      
BA Fine Art, Slade School of Fine Art, University College London

1991-93      
Participating artist, Rijksakademie van Beeldende Kunsten, Amsterdam

 

EDWARD STEWART

1961
born Belfast, N.Ireland

ART EDUCATION

1984-85      
Foundation Year, University of Ulster

1985-88      
BA Fine Art &

1988-90      
MA Fine Art, Glasgow School of Art

1990-92      
Participating artist, Rijksakademie van Beeldende Kunsten, Amsterdam

 

SMITH/STEWART work & live together in Glasgow, Scotland.

 

SELECTED SOLO EXHIBITIONS

1997           
Anthony d’Offay Gallery, London

1998            
Hooded.Bared., Fruitmarket Gallery, Edinburgh

1999           
NGBK, Berlin, Germany

1999           
Kunstmuseum Luzern, Luzern, Switzerland

1999           
Concourse Gallery, Barbican Centre, London

1999            
Portikus, Frankfurt, Germany

2000            
In camera, Art Gallery of York University, Toronto, Canada

2002            
A Black Thread, Chisenhale Gallery, London (a Film and Video Umbrella Touring Exhibition commissioned in association with Chisenhale Gallery)

2004           
Milton Keynes Gallery, Milton Keynes (a Film and Video Umbrella Touring Exhibition commissioned in association with Milton Keynes Gallery)

2005            
Gi: Glasgow International, 1st Floor, 64 Osborne St., Glasgow

2007/8         
Enter Love and Enter Death, Inverleith House, Royal Botanic Garden, Edinburgh

2011            
What have we done?, The Changing Room, Stirling

 

SELECTED GROUP EXHIBITIONS

1995            
Video Positive, Tate Gallery, Liverpool

1995            
X/Y, Centre Georges Pompidou, Paris, France

1995/6         
Biennale d’Art Contemporain, Lyon, France

1996            
Now Here, Louisiana MOMA, Humlebaek, Denmark

1996            
Electronic Undercurrents, Statens Museum for Kunst, Copenhagen, Denmark

1997/8         
Correspondences: Scotland/Berlin, Martin Gropius Bau, Berlin & Scottish National Gallery of Modern Art, Edinburgh

1998            
Pandaemonium, LEA Gallery, London

1999            
Signs of Life, Melbourne International Biennial, Melbourne, Australia

1999/00       
Seeing Time: Selections from the Pamela & Richard Kramlich Collection of Media Art, San Francisco MOMA, San Francisco, USA

2000            
The Anagrammatical Body – The Body and its Medial Construction, ZKM, Karlsruhe, Germany

2000            
Mixing Memory and Desire, Kunstmuseum Luzern, Luzern, Switzerland

2001            
Black Box. The Dark Room in Art, Kunstmuseum Bern, Bern, Switzerland

2002            
afterthelostones, Galerie de l’UQAM, Montreal, Canada

2002            
Sensitive Screens: Videoart of the 90’s, Fundacio “La Caixa”, Lerida, Spain

2002           
The British School at Rome, Rome, Italy

2002           
Tate Modern, video room, London

2002            
New: Recent Acquisitions of Contemporary British Art, Scottish National Gallery of Modern Art, Edinburgh

2002            
Self Evident: the artist as the subject 1969-2002, Tate Britain, London

2003            
Into the Breach, Smart Project Space, Amsterdam, Netherlands

2003            
Orifice, Australian Centre for Contemporary Art, Melbourne, Australia

2003            
Incommunicado, Hayward Gallery National Touring Exhibition, The Sainsbury Centre for the Visual Arts, Norwich

2005/6         
Night Sites, Kunstverein Hannover, Germany

2006            
Into Me/Out of Me, Kunst Werke ICA, Berlin, Germany

2007/8         
Words in Art, Mart- Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Italy

2009/10       
Emporte-moi / Sweep me off my feet, Musee d’Art Contemporain du Val-de-Marne, Quebec, Canada & MACVAL, Vitry-sur-Seine, Paris, France

2012/13       
Acts of Voicing: On the Poetics and Politics of the Voice,
Württembergischer Kunstverein Stuttgart (Autumn/Winter 2012/13)
Para/Site Art Space, Hong Kong (Spring 2013)
Total Museum of Contemporary Art, Seoul (Autumn 2013)

COLLECTIONS

                    Statens Museum for Kunst, Copenhagen, Denmark

                    Toyama Museum of Modern Art, Toyama, Japan

                    Kunsthaus Zurich, Zurich, Switzerland

                    Fondation Leschot, Bern, Switzerland

                    Scottish National Gallery of Modern Art, Edinburgh

                    Contemporary Art Society, London / Walker Art Gallery, Liverpool

                    Arts Council Collection, London

                    Tate Gallery, London

                    Kunstmuseum Luzern, Luzern, Switzerland

                    San Francisco Museum of Modern Art, San Francisco, USA

                    Musee Cantonal des Beaux-Arts, Lausanne, Switzerland

                    Kunstmuseum Bern, Bern, Switzerland

SELECTED SOLO PUBLICATIONS

1998            
Fruitmarket Gallery catalogue, Edinburgh (ill.), ISBN: 9780947912529

1999            
Kunstmuseum Luzern & Portikus, Frankfurt catalogue, Luzern & Frankfurt am Main, text by Ulrich Loock (ill.), ISBN 9783267001287

1999            
Godforsaken Hole / Free Hand publication, Barbican Centre, London, text by Francis McKee (ill.), ISBN 0 946372 37 3

2000            
In Camera catalogue, Art Gallery of York University, Toronto, Canada text by Michele Theriault (ill.), ISBN 0921972296

2000            
Ahead, publication, Codax Publisher, Zurich, Switzerland, text by Ulrich Loock (ill.), ISBN 3-9521227-4-2

2001            
Smith/Stewart Film & Video Umbrella minigraph publication, London (ill.), ISBN 978-1-84166-074-5

2004           
A Black Thread publication, Film & Video Umbrella, London, text by Tom McCarthy (ill.), ISBN 978-1-904270-08-9

2009            
Enter Love and Enter Death publication, Inverleith House, Royal Botanic Garden, Edinburgh (ill.), ISBN 978-1-906129-24-8

 SELECTED REVIEWS

2002            
A Black Thread, Chisenhale Gallery reviews:
Art Monthly Dec.02 – Jan. 03, Mark Wilsher, (ill.)
Time Out Nov. 27 – Dec. 4 2002, Rebecca Geldard (ill.)
Evening Standard Claire Bishop

2003           
Contemporary issue no. 47 / 48, Gabriel Coxhead (ill.)

2004           
‘Milton Keynes Gallery, Smith/Stewart‘, Jane Neal, Contemporary, issue no.62

2005            
Glasgow International reviews, including:
‘Reaping its just rewards’, Moira Jeffrey, The Herald, 29 April
Catriona Black, The Sunday Herald , 1 May
Iain Gale, Scotland on Sunday, 1 May (ill.)
‘Glasgow International 2005’, Alexander Kennedy, Map, Issue 2, Summer 2005

2007            
Enter Love and Enter Death, Inverleith House reviews:
‘Smith/Stewart: Enter Love and Enter Death’, Rosalie Doubal, The List, 15-29 Nov, Issue 590
‘The space in which we move’, Jack Mottram, The Herald, Friday 30 November
‘Smith/Stewart: Enter Love and Enter Death’, Kirsten Norrie, Art Monthly, Dec-Jan 07-08, No. 312

2008            
‘Smith/Stewart: Enter Love and Enter Death’, Rosamund West, The Skinny, January 08
‘Negotiating a maze of hidden meaning’, Susan Mansfield, Scotsman Review, The Scotsman, Friday 11 January
‘Fine lines between love and death’, Iain Gale, Review Arts, Scotland on Sunday, January 13

2011            
‘The fruit of their actions’, Laura Edbrook, MAP no. 25, Summer 2011