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ALFREDO JAAR

EXHIBITIONS
2009
“Alfredo Jaar: The Sound of Silence,” Galerie Lelong, New York
“Muxima,” La Marrána, Montemarcello
“For You,” Daros Exhibitions, Zurich
“Continual Rifts,” Fowler Museum at UCLA, Los Angeles
“Aletheia,” Helsinki Photography Festival, Helsinki
“Voids: A Retrospective,” Centre Pompidou, Paris; Kunsthalle Bern, Bern;
Centre Pompidou-Metz, Metz
“Guangzhou Photo Biennial,” Guangzhou, China
“The Fear Society,” Pabellón de la Urgencia, Venice Biennale
“En los márgenes del arte. Creación y compromiso politico,” MACBA,
Barcelona

2008
“Alfredo Jaar: Politics of the Image,” South London Gallery, London
“Gold in the Morning,” Kenji Taki Gallery, Nagoya
“Is the wind you? (For Kurihara Sadako),” Kenji Taki Gallery, Tokyo
“It Is Difficult,” Spazio Oberdan and Hangar Bicocca, Milan
“Risky Business Art,” Kunstpanorama, Lucerne
“Aurum: L’or dans l’art contemporain,” Centre PasquArt, Biel
“Worlds on Video,” Palazzo Strozzi, Florence
“That Was Then…This Is Now,” P.S.1 Contemporary Art Center, Long Island
City, New York
“Africa On: Beecroft, Jaar, Kentridge,” Galleria Lia Rumma, Milan
“Arte ≠ Vida: Actions by Artists of the Americas, 1960-2000,” El Museo
del Barrio, New York
“New Acquisitions,” Louisiana Museum of Modern Art, Humblebæk
“Pictures in Series,” Fisher Landau Center for Art, Long Island City,
New York
“Framing and Being Unframed: The Uses of Documentary Photography,” Ezra
and Cecile Zilkha Gallery, Wesleyan University, Middletown,
Connecticut

2007
Ezra and Cecile Zilkha Gallery, Center for the Arts at Wesleyan
University, Middletown, Connecticut
“La Politique des Images,” Musée Cantonal des Beaux-Artes, Lausanne
“Muxima,” CCB, Lisbon
“To Be Continued…,: Art Created for Magasin 3 Over Twenty Years,”
Magasin 3 Stockholm Konsthall, Stockholm
“AfterShock,” Sainsbury Centre for the Arts, University of East Anglia,
Norwich, England
“Afterglow,” Galerie Pfreim, Lacoste
“Check List: Luanda Pop,” 52nd International Art Exhibition, Venice
Biennale, Venice
“Puntos de Vista,” Zeitgenossisceh Kunst aus der Daros-Latinamerica
Collection, Museum Bochum, Bochum
“Sharjah Biennial 8—Still Life: Art, Ecology, and the Politics of
Change,” Sharjah Art Museum, Sharjah
“The Power of Ten: Gifts in Honor of Miami Art Museum’s 10th
Anniversary,” Miami Art Museum, Miami
“Macro Future,” Museo D’arte Contemporanea Roma, Rome
“Scenes and Sequences: Peter Blum Edition, New York—A Selection from
1980 to 2006,” Aargauer Kunsthaus, Aarau
“New Perspectives in Latin American Art, 1930-2006: Prints,
Photographs, and Media Works,” Museum of Modern Art, New York
“Equatorial Rhythms,” Stenersen Museum, Oslo
“Constructing A Poetic Universe: The Diane and Bruce Halle Collection
of Latin American Art," Museum of Fine Arts, Houston
“Existencias,” MUSAC Museo de Arte Contemporaneo de Castilla y León,
León
“Private/Corporate IV: The Lekha and Anupam Poddar Collection in
dialogue with the DaimlerChrysler Collection,” Haus Huth, Berlin
“System Error: War is a Force that Gives Us Meaning,” Palazzo delle
Papesse – Centro Arte Contemporanea, Sienna
“Turbulence: 3rd Auckland Triennial,” Auckland, New Zealand
“Negatec,” Espacio Fundación Telefónica, Buenos Aires
IBCA—International Biennale of Contemporary Art, Prague

2006
“Jaar SCL 2006,” Sala de Arte Fundación Telefonica, and Galeria Gabriela
Mistral, Santiago
“Muxima,” MAMCO, Geneva
“Muxima,” Fundacion Tapies, Barcelona
“Muxima,” Reina Sofia, Madrid
“Muxima,” Galerie Lelong, New York
“Muxima,” Galeria Oliva Arauna, Madrid
“Alfredo Jaar: The Eyes of Gutete Emerita,” Hood Museum of Art,
Dartmouth College, Hanover, New Hampshire
“Confini—Boundaries,” Museo d’Arte Provincia Nuoro, Nuoro
“Primitivism Revisited: After the End of an Idea,” Sean Kelly Gallery,
New York
1st Architecture, Art and Landscape Biennial of the Canaries, Canary
Islands
“The Gold Standard,” P.S.1 Contemporary Art Center, Long Island City,
New York
2nd International Biennial of Contemporary Art of Seville (BIACS2),
Seville
“Kapital,” Kent Gallery, New York
“Into me/ Out of me,” P.S.1 Contemporary Art Center, Long Island City,
New York; traveled to Kunst-Werke Berlin, KW Institute for
Contemporary Art, Berlin
“Beautiful Suffering—Photography and the Traffic in Pain,” Williams
College Museum of Art, Williamstown, Massachusetts
“Review - 25 Jahre Österreischische Ludwig Stiftung,” MUMOK Museum
Moderner Kunst, Vienna
“The Past Made Present: Contemporary Art and Memory,” Museum of Fine
Arts, Houston
“A Curator´s Eye: The Visual Legacy of Robert A. Sobieszek,” LACMA Los
Angeles County Museum of Art, Los Angeles
“En las fronteras,” Villa Croce Museo d’Arte Contemporanea, Genoa
“La visíon impura, Fondos de la colección permanente,” MNCARS Museo
Nacional Centro de Arte Reina Sofía, Madrid
“Gyroscope,” Hirschhorn Museum and Sculpture Garden, Washington D.C.
Festival Photo et Video de Biarritz, Biarritz
Brighton Photo Biennial, Fabrica, Brighton
“Gardens,” Toyota Municipal Museum of Art, Toyota
“TRANSactions: Contemporary Latin American and Latino Art,” Museum of
Contemporary Art San Diego, La Jolla; traveling through 2008 to
Memorial Art Gallery, University of Rochester, Rochester, NY; High
Museum of Art, Atlanta, GA; Weatherspoon Art Museum, Greensboro,
NC
“FotoFest2006: Artists Responding to Violence,” DiverseWorks Artspace,
Houston
“Conjonctions,” Musée d’Art Moderne et Contemporain, Geneva

2005
“Muxima,” Villa Medici, Roma
“Let One Hundred Flowers Bloom,” MACRO, Museo Arte Contemporanea Roma,
Rome
“Le ceneri di Gramsci,” Studio Stefania Miscetti, Rome
“The Eyes of Gutete Emerita,” Museum of Fine Arts Houston, Houston
“Muxima,” Grand Arts, Kansas City
“Outside Europe: Aus der Sammlung DaimlerChrysler,” DaimlerChrysler
Contemporary, Berlin
“The Fluidity of Time—Selections from the MCA Collection,” Museum of
Contemporary Art, Chicago
“Lichtkunst aus Kunstlicht,” ZKM | Museum für Neue Kunst & Medienmuseum,
Karlsruhe
“Old News,” Los Angeles Contemporary Exhibitions, Los Angeles
“Nuove acquisizioni. Due anni di crescita della collezione MACRO,” Museo
d'Arte Contemporanea Roma, Rome
“Identity and Nomadism,” Palazzo delle Papesse - Centro Arte
Contemporanea, Sienna
“Figuratively Speaking,” Miami Art Museum, Miami
“Flight 405,” Galerie Sfier-Semler, Hamburg
“The Hours: Visual Arts of Contemporary Latin America,” Irish Museum of
Modern Art, Dublin; traveled to Museum of Contemporary Art,
Sydney
“Concerning War—Soft Target. War as a Daily, First-Hand Reality,” BAK,
Utrecht
“Marking time: moving images,” Miami Art Museum, Miami
“Sight-Cruising,” Marugame Genichiro-Inokuma Museum of Contemporary Art,
Marugame
“At The Mercy of Others: The Politics of Care,” Whitney Museum of
American Art Independent Study Program Exhibition at the Art
Gallery of the Graduate Center, City University of New York, New
York
“Points of View: Landscape and Photography,” Galerie Lelong, New York
“05 WEST Know Your Rights Festival,” Leipzig
“Atomica: Making the Invisible Visible,” Lombard-Freid Fine Arts and
Esso Gallery, New York
“Miradas y conceptos en la colección Helga de Alvear,” MEIAC Museo
Extrmeño e Iberoamericano de Arte Contemporáneo, Badajoz
“Fotografia! Arte 2005: Latin American Photography,” Tampa Museum of
Art, Tampa
“Double Exposure,” Godt-Cleary Projects, Las Vegas, Nevada
“Mapping Space: Selections from the Collection,” Miami Art Museum, Miami
“Emergencias,” MUSAC Museo Arte Contemporaneo de Castilla y León, León
“Veinte años y un día,” Galeria Oliva Arauna, Madrid

2004
“Todo el Dolor del Mundo,” Centro Portugues de Fotografia, Porto
“Das Rote Wien,” Galerie Fotohof, Salzburg
Galleria Lia Rumma, Milan
Paisaje y Memoria,” Centro Atlántico de Arte Moderno, Las Palmas de
Gran Canaria
Wettbewerb Kunst und Bau, Universitätsspital Bern, Inselspital,
Kunsthalle Bern
“En Guerra,” CCCB, Barcelona
“Die Zehn Gebote (The Ten Commandments),” Deutsches Hygiene-Museum,
Dresden
“El Final del Eclipse,” Fundación Telefónica, Santiago
“Portraits,” Esso gallery, New York
“Laocoonte Devorado—Arte y violencia política,” Museo Artium, Vitoria
“Exposicion Colectiva,” Galeria Oliva Arauna, Madrid
“Photography Video Mixed Media,” Daimler Contemporary, Berlin
“Art by MacArthur Fellows,” Carl Solway Gallery, Cincinnati
“Some Things Happening,” Herron School of Art & Design, Indianapolis
“Images of Time and Place: Contemporary Views of Landscape,” Lehman
College Art Gallery, City University of New York, Bronx; traveled
to Elaine L. Jacob Gallery, Wayne State University, Detroit,
Michigan
“About Face: Photographic Portraits from the Collection,” Art Institute
of Chicago, Chicago
“Artists of the Gallery,” Galerie Thomas Schulte, Berlin
“Potential Images of the World,” Speed Art Museum, Louisville, Kentucky
“Jaar+Nauman+Perejaume+Tápies,” Galería Dos, Cadaqués

2003
“El lamento de las imágenes,” Galería Oliva Arauna, Madrid
“Six Seconds,” Galerie Thomas Schulte, Berlin
“Black President: The Art and Legacy of Fela Anikulapo-Kuti,” New Museum
of Contemporary Art, New York
“Pictures from Within: American Photographs, 1958-2003” Whitney Museum
of American Art, New York
“El Final del Eclipse,” Museo de Arte Contemporáneo, Monterrey, México
“Still/Motion,” Hosfelt Gallery, San Francisco
“upon reflection...,” Sean Kelly Gallery, New York
“Tainted Landscapes,” Ezra and Cecile Zilkha Gallery, Center for the
Arts, Wesleyan University, Middletown, Connecticut
“Transferts,” Palais des Beaux-Arts, Brussels
“Experience,” Rotterdam Photo Biennale, Nederlands Foto Museum, Rotterdam
“Die Sehnsucht des Kartografen (The Desire of the Cartographer)” Kunstverein
Hannover, Hanover
“Sanctuary: Contemporary Art and Human Rights,” Gallery of Modern Art,
Glasgow
“Witnessing to Silence: Art and Human Rights,” Humanities Research
Centre, Australian National University, Drill Hall Gallery of
Australian National University, School of Art Gallery of
Australian National University, National Institute of the Arts,
Canberra Contemporary Art Space, and National Museum of Australia,
Canberra, Australia
“Mad 03,” Public Project, Madrid
“New Generation,” Galería Dos, Cadaqués

2002
“Lament of the Images,” Galerie Lelong, New York
“Emergencia,” Baltic Art Center, Visby, Sweden
“History Now: The Presence of the Past in Contemporary Photography,”
Liljevalch Konsthall, Stockholm; traveled to Museum of Work,
Norrköping; Passagen, Linköpings Konsthall, Linköpings; Dunkers
Kulturhaus, Helsingborg; Midlanda Konsthall, Sundsvall;
Konsthallen, Ronneby
Documenta 11, Museum Fridericianum, Kassel
“Conceptes de l’espai,” Fundació Joan Miró, Barcelona
“Tilflukt / Refuge,” Henie Onstad Kunstsenter, Oslo
“Aquaria,” Landesgalerie am Oberösterreichischen Landesmuseum, Linz;
traveled to Kunstsammlungen Chemnitz, Chemnitz
“Rayuela/ Hopscoth: Fifteen Contemporary Latin American Artists,”
University Art Gallery, Scranton-Mahady Gallery, Marywood
University
“Cultural Crossing,” Numark Gallery, Washington, D.C.
“Double Exposure,” Edition Schellmann, Munich, Germany and New York, New
York

2001
“Let there Be Light: The Rwanda Project,” Badischer Kunstverein,
Karlsruhe
“The Silence: The Rwanda Project 1994-2000,” International Museum of the Red
Cross, Geneva
“O Espiritu da Nossa Epoca,” Museo de Arte Moderna, São Paulo
“Silent Stories,” Gallery Steinek, Vienna
“New Work: Contemporary Figuration” Hosfelt Gallery, San Francisco
“In Cold Blood,” Samuel Dorsky Museum of Art, SUNY New Paltz
“Nauman Kruger Jaar,” Daros Exhibitions, Zurich
“Voir Ne Pas Voir La Guerre,” Musée d’Histoire Contemporaine, Invalides,
La Defense, Paris
“Versiones del Sur: Más allá del Documento,” Museo Nacional Centro de
Arte Reina Sofía, Madrid
“The Gift. Generous Offerings, Threatening Hospitality,” Palazzo Delle
Papesse - Centro Arte Contemporanea, Sienna
“Minimalism Past And Presence,” Galerie Lelong, New York, New York

2000
“It Is Difficult,” Todd Hosfelt Gallery, San Francisco
“Six Seconds,” Art & Public, Geneva
“New Works,” Kenji Taki Gallery, Nagoya and Tokyo
“Happiness,” Kalmar Konstmuseum, Kalmar
“Emergencia, Waiting, Epilogue,” BildMuseet, Umeå University, Umeå
“Waiting,” University Art Gallery, San Diego State University, San Diego
The Kwangju Biennale
“Versiones del Sur: Más allá del Documento,” Museo Nacional Centro de
Arte Reina Sofía, Madrid
“The Space of Silence,” Canadian Museum of Contemporary Photography,
Ottawa
“Flash Back,” Barbara Farber / La Serre, Marseille
“Photography Now,” Contemporary Arts Center, New Orleans
“Playgrounds and Toys,” International Museum of the Red Cross, Geneva
“Bluer,” Carrie Secrist Gallery, Chicago
“L’Elemento Verbale Nell’Arte Contemporanea,” Galleria Milano, Milan;
traveled to Galleria Martano, Torino
“Frames of Reference: From Object to Subject,” Ezra and Ceile Zilkha
Gallery, Wesleyan University, Connecticut
“FaceON,” Site Gallery, Sheffield
“inSITE2000,” Tijuana and San Diego border
“An Intelligent Pressure,” Site Gallery, Sheffield
“SCULPTography,” Galerie Lelong, New York
“‘A Spectre at the Feast’ recent works by: Ian Hamilton Finlay, Marcel
Broodthaers, Claudio Parmiggiani, Maris, Alfredo Jaar, Derek
Tyman,” Real Gallery & Nolan/Eckmann Gallery, New York

1999
“Lament of the Images,” MIT List Visual Arts Center, Cambridge,
Massachusetts; traveled to Museum of Art, Fort Lauderdale
“Ghost in the Shell: Photography and the Human Soul, 1850-2000,” Los
Angeles County Museum of Art, Los Angeles
“Rattling the Frame: The Photographic Space 1974-1999,” CAMERAWORK, San
Francisco
“Senyals Publics,” Can Palauet, Mataro
“War Zones,” Presentation House Gallery, Vancouver
“La imagen del otro,” Barcelona (various public locations)
“New Space, New Work,” Hosfelt Gallery, San Francisco
“SCRIPTA-MANENT,” Esso Gallery, New York
“Apposite Opposites: Photography from the MCA Collection,” Museum of
Contemporary Art, Chicago
“Domesticated,” Refusalon, San Francisco
“Xmas,” Kent Gallery, New York
“Permanent Change,” Williams College Museum of Art, Williamstown,
Massachusetts

1998
“Let There Be Light: The Rwanda Project 1994-1998,” Centre d’Art Santa
Monica, Barcelona; traveled to Koldo Mitxelena, San Sebastian
“Let There Be Light: The Rwanda Project,” Stedelijk Museum Het Domein,
Sittard
“Real Pictures,” Galerie Lelong, New York
“Do all oceans have walls?” Gesellschaft fur Aktuelle Kunst, Bremen
“The Edge of Awareness,” World Health Organisation, Geneva
“Photography as Concept,” 4.International Foto-Triennale, Esslingen
“Waterproof,” Centro Cultural de Belém, Expo 98, Lisbon
“Exiles,” National Gallery of Canada, Ottawa
“Unthinkable Tenderness: The Art of Human Rights,” Art Department
Gallery, San Francisco State University, San Francisco
“The Garden of the Forking Paths,” Kunstforeningen, Copenhagen; traveled
to Edsvik Konst och Kultur Centre, Stockholm; Helsinki City Art
Museum, Helsinki
“Contemporánea/Adquisiciones 1994-1998,” Museo Alejandro Otero, Caracas
“Spatiotemporal, Verk ur Samlingen 1988-1998,” Magasin 3 Stockholm
Kunsthall
“Espejismos, de la postfotografia al ciberespacio,” Fundacion La Caixa,
Barcelona
“Thinking Print,” Henry Art Gallery, Seattle
“Photography’s Multiple Roles: Art, Document, Market, Science,” Museum
of Contemporary Photography, Chicago
“Projections,” Pusan Metropolitan Art Museum, Pusan
“Crossings,” National Gallery of Canada, Ottawa

1997
“The Rwanda Project,” Todd Hosfelt Gallery, San Francisco
“The Silence of Nduwayezu,” Galeria Oliva Arauna, Madrid
“The Silence of Nduwayezu,” Galerie Franck + Schulte, Berlin
“Let There Be Light,” The Light Factory, Charlotte, North Carolina
“Untitled,” Galerie Grita Insam, Vienna
The Johannesburg Biennale, Johannesburg
“American Stories,” Setagaya Museum, Tokyo
“Absolute Landscape,” Yokohama Museum of Art, Yokohama
“Asi esta la Cosa: Instalacion y Arte Objeto en America Latina,” Centro
Cultural Arte Contemporaneo, Mexico City
“The Crystal Stopper,” Lehman Maupin Gallery, New York
“FREEZE FRAME,” Galerie Grita Insam, Vienna
“New Grounds: Prints and Multiples,” University of South Florida
Contemporary Art Museum; traveled to the International Center for
Graphic Arts, Ljubljana
“Transformacion,” Villa Iris, Santander
“New Editions,” Galerie Lelong, New York
“El Macba a Sabadell,” Museo d’Art de Sabadell, Barcelona
“A Gift for India,” Lalit Kala Galleries, New Delhi

1996
“The Rwanda Project,” City Gallery of Contemporary Art, Raleigh
“En Reserva,” Museum of Contemporary Art, Barcelona
“Thinking Print,” Museum of Modern Art, New York
“Blurring the Boundaries. Installation Art: 1969-1996,” Museum of
Contemporary Art, San Diego; traveled to Miami Art Museum, Miami
“Lichtbilder,” Galerie Wittenbrink, Munich
“SHIFT,” Haus der Kulturen der Welt, Berlin
“Printemps de Cahors,” Cahors
“Macht / Onmacht,” MUHKA, Antwerp
“Cuarta Pared,” Museo del Oeste, Caracas
“Islands,” National Gallery of Australia, Canberra
Bienal de Vigo, Galicia
“Encontros de Fotografia,” Coimbra
“Continuity and Contradiction,” Miami Art Museum, Miami
“The Luminous Image,” The Alternative Museum, New York
“Los Limites de la Fotografia,” Museo Nacional de Bellas Artes,
Santiago; traveled to Fundacion Banco Patricios, Buenos Aires
“One and Others,” Galerie Lelong, New York
“Walk on the Soho Side,” New York
“Transition-Dislocation,” Cleveland Center for Contemporary Art,
Cleveland
“Sin Fronteras: Arte Latinoamericano Actual,” Museo Alejandro Otero,
Caracas
“Transformation of the Work in Art,” Fosdick-Nelson Gallery, School of
Art and Design at Alfred University, Alfred, New York
“Limited Edition Artists Books,” Brooke Alexander, New York
“Act / Language: Power and Display,” The Institute for Research on the
African Diaspora in the Americas and the Caribbean, City
University of New York, New York
“Decathlon,” Fay Gold Gallery, Atlanta
“Dream Collection,” Miami Art Museum, Miami
“Hebben Wij Het Geweten?” Provinciaal Museum Voor Aktuelle Kunst,
Hasselt
“Happy End,” Kunsthalle, Dusseldorf

1995
Galerie Lelong, New York
Museum of Contemporary Photography, Chicago
University of South Florida Contemporary Art Museum, Tampa
“ARS 95,” Museum of Contemporary Art, Helsinki
“The Spirit of Hiroshima and After,” Museum of Contemporary Art,
Hiroshima
“Dialogues de Paix,” Palais des Nations, Geneva
“Our Century,” Museum Ludwig, Cologne
The Istanbul Biennale
The Kwangju Biennale
“Light into Art: From Video to Virtual Reality,” Contemporary Arts
Center, Cincinnati
“Livres d’Artistes,” Centre d’Art Contemporain, Geneva

1994
Fotografiska Museet and Moderna Museet, Stockholm
Galerie Tilman, Brussels
Galeria Oliva Arauna, Madrid
Frankfurter Kunstverein, Frankfurt
“Lessons in Life,” Art Institute of Chicago
“The Origin of Things,” Musee d’Art Contemporain de Montreal
“Artaroundtown,” Malmö
“Das Americas,” Galeria Luisa Strina, São Paulo
“Equal Rights and Justice,” High Museum of Art, Atlanta
“Images Pour La Lutte Contre Le Sida,” Musée National D’Art Moderne,
Centre Georges Pompidou, Paris
“Pohjoinen Valokuva 1994: Contemporary Living Violence,” International
Photographic Triennial, Oulu
“Public Interventions,” Institute of Contemporary Art, Boston
“Translucent Writings,” Neuberger Museum of Art, Purchase; traveled to
University of Southern Florida Contemporary Art Museum, Tampa

1993
Miami Center for the Fine Arts, Miami, traveled to Art Museum, University of
South Florida, Tampa
“The Pergamon Project, Graphic Works,” Galerie Franck + Schulte, Berlin
Gesellschaft fur Aktuelle Kunst, Bremen
“(Un)framed,” Tramway, Glasgow
“Working,” Ruth Bloom Gallery, Santa Monica
“New Images of the World,” Louisiana Museum of Modern Art, Humlebaek
“Prospect 93,” Frankfurter Kunstverein and Kunsthalle Frankfurt,
Frankfurt
“Camera Politic,” Pittsburgh Center for the Arts, Pittsburgh; traveled
to La Sala Mendoza, Caracas; Contemporary Arts Center,
Cincinnati; Mendel Art Gallery, Saskatoon
“Fontanelle,” Potsdam Kunsthalle, Potsdam
“Goldsworthy, Jaar, Long, Mendieta, Newman, von Rydingsvard,” Galerie
Lelong, New York
“Imagemakers,” Nassau County Museum of Art, Roslyn Harbor
“Magazin Im Magazin,” Vorarlberger Kunstverein, Magazin 4, Bregenz, and
Architectur Zentrum, Wien.
“Personal Choice,” Institute of Contemporary Art, Philadelphia
“Photoplay: Works from the Chase Manhattan Collection,” Center for the
Fine Arts, Miami; traveled to Puebla, Monterrey; Cultural Center,
Caracas; Museum of Art, São Paolo; National Museum of Art, Buenos
Aires; National Museum of Art, Santiago

1992
“1+1+1: Works by Alfredo Jaar,” The New Museum of Contemporary Art, New York
“Alfredo Jaar: Two or Three Things I Imagine About Them,” Whitechapel Art
Gallery, London; traveled to Kunstnernes Hus, Oslo
“Alfredo Jaar: Geography = War,” The Museum of Contemporary Art, Chicago
Meyers/Bloom Gallery, Santa Monica
Galerie Frank + Schulte, Berlin
“Skulpturen - Fragmente,” Wiener Secession, Vienna
“Regard Multiple,” Galeries Contemporaines, Musée National d’Art
Moderne, Centre Georges Pompidou, Paris
“Pour la Suite du Monde,” Musee d’Art Contemporain de Montreal
“1968,” Le Consortium, Dijon
“Ameriques Latines: Art Contemporain,” Hôtel des Arts, Paris
“Arte Amazonas,” Museu de Arte Moderna, Rio de Janeiro; traveled to
Museu de Arte, Brasilia, and Staatliche Kunsthalle, Berlin
“Encounters/Displacements,” Archer M. Huntington Art Gallery,
University of Texas, Austin
“L’Art Renouvelle La Ville,” Musée National des Monuments Français,
Paris
“Molteplici Culture,” Convento San Egidio, Rome
“Proiezioni,” Castello di Rivara, Torino
“Ante América,” Biblioteca Luis-Ángel Arango, Bogotá; traveled to Salon
Cultural de Avianca, Barranquilla; Museo de Arte Moderno, Santo
Domingo; Museo de Artes Visuales Alejandro Otero, Caracas; Centro
Cultural de la Raza, San Diego; Center for the Arts at Yerba
Buena Gardens, San Francisco; Spencer Art Museum, Lawrence,
Kansas; Museo de Arte y Diseño Contemporaneo, San José, Costa
Rica; The Queens Museum, New York
“Betrayal of Means / Means of Betrayal,” Southeast Museum of
Photography, Daytona Beach; traveled to Aidekman Arts Center,
Tufts University, Medford, Massachusetts; Fleming Museum,
University of Vermont, Burlington
“Louise Bourgeois, Alfredo Jaar, Jannis Kounellis, Bruce Nauman, Susana
Solano and Antonio Tapies,” Galerie Lelong, New York
“Green Acres: Neo-Colonialism in the U.S,” Washington University
Gallery of Art, St. Louis
“Imaquinaciones: Dieciseis Miradas al 92,” Expo 92, Seville
“Latin American Artists of the Twentieth Century,” Estacion Plaza de
Armas, Seville; traveled to Musée National d’art Moderne, Centre
Georges Pompidou, Hotel des Arts, Fondation nationale des arts,
Paris; Museum Ludwig at Josef-Haubrich-Kunstahalle, Cologne; The
Museum of Modern Art, New York
“Trans-Voices,” Whitney Museum of American Art and various Subway
stations, New York; Centre Georges Pompidou and various Metro
stations, Paris
“Plus Ultra: Intervenciones,” Torre de la Santa Cruz, Cadiz and Pabellon de
Andalucia, Expo 92, Seville

1991
“MVSEVM,” Hirshhorn Museum and Sculpture Garden, Washington, D.C.
“Alfredo Jaar: Geography = War,” Virginia Museum of Fine Arts; The Anderson
Gallery, Virginia Commonwealth University, Richmond
Galeria Benet Costa, Barcelona
Galeria Oliva Arauna, Madrid
Galerie Gabrielle Maubrie, Paris
Galerie Barbara Farber, Amsterdam
“The Way It Was,” Heimat, Wewerka & Weiss Galerie, Berlin
“The Anonymous Other,” Friends of Photography, San Francisco
“Framed,” Stephen Wirtz Gallery, San Francisco
“Imaquinaciones: Deicisies Miradas al 92,” Billboards, Mexico City
“P/A,” Galeria Benet Costa, Barcelona
“Repositioning Documentary,” KunstRAI 1991, Amsterdam
“La Revanche de l’Image,” Galerie Pierre Huber, Geneva
“Words & #s,” Museum of Contemporary Art, Wright State University,
Dayton

1990
Museum of Contemporary Art San Diego, San Diego; traveled to San José Museum
of Art, San José; Seattle Art Museum, Seattle; Carnegie Mellon Art
Gallery, Pittsburgh; Laumeier Sculpture Park, St. Louis
Diane Brown Gallery, New York
London Regional and Historical Museums, London, Ontario
Insam Gleicher Gallery, Chicago
Meyers/Bloom Gallery, Los Angeles
“To Be And Not To Be,” Centre d’Art Santa Monica, Barcelona
“Savoir-vivre, Savoir-faire, Savoir-être,” Centre International d’Art
Contemporain de Montréal
“Re-Writing History,” Kettle's Yard, Cambridge, England; traveled to
Anthony Reynolds Gallery, London; Ikon Gallery, Birmingham;
Cornerhouse, Manchester; Northern Centre for Contemporary Art,
Sunderland
Sydney Biennale
“On the Edge: Between Sculpture and Photography,” Cleveland Center for
Contemporary Art
“Affirmative Actions,” Betty Rymer Gallery, School of the Art Institute
of Chicago
“Assembled: Works of Art Using Photography as a Construction Element,”
University Art Galleries, Wright State University, Dayton
“Critical Realism,” Perspektief Centre for Photography, Rotterdam
“The Decade Show: Frameworks of Identity in the 1980’s,” Museum of
Contemporary Hispanic Art, The New Museum of Contemporary Art,
The Studio Museum in Harlem, New York
“Information,” Terrain Gallery, San Francisco
“New Work: A New Generation,” San Francisco Museum of Modern Art
“November, November,” Anselm Dreher Gallery, Berlin
“Tierra Encantada,” Charlotte Crosby Kemper Gallery, Kansas City Art
Institute, Kansas City

1989
“Alfredo Jaar: The Fire Next Time,” The Brooklyn Museum, New York
Colorado University Art Galleries, Boulder, Colorado
University Art Galleries, Wright State University, Dayton
“Paysage,” L’Arche de la Fraternité, La Défense, Paris
Galerie Barbara Farber, Amsterdam
Robert B. Menschel Photography Gallery, Syracuse University, New York
University Art Museum, University of California, Berkeley
“The Photography of Invention: American Pictures of the 1980s,”
National Museum of American Art, Washington, DC; traveled to The
Museum of Contemporary Art, Chicago; Walker Art Center,
Minneapolis
“Magiciens de la Terre,” Musée National d’Art Moderne, Centre Georges
Pompidou and la Grande Halle, La Villette, Paris
“Images Critiques,” Musée d’Art Moderne de la Ville de Paris
“Prospect Photographie,” Frankfurter Kunstverein, Frankfurt
“Alfredo Jaar / Ronald Jones,” Magasin 3 Stockholm Konsthall, Stockholm
1. International Foto-Triennale, Esslingen am Neckar
“Adams, Boltanski, Jaar,” Fuller/Elwood Gallery, Seattle
“Une Autre Affaire,” Le Consortium, Dijon
“Camera Lucida,” Walter Phillips Gallery, Banff, Alberta; traveled to
Presentation House Gallery, Vancouver; Art Gallery of Windsor,
Ontario
“A Climate of Site,” Galerie Barbara Farber, Amsterdam
“Effets de Miroir,” C.A.C. Pablo Neruda, Corbeil-Essonne
“Fictions,” Mirabel Montréal International Airport
Hommage à la Déclaration Universelle des Droits de l’Homme, Centre
d’Art Contemporain, Geneva
“International Camera,” Salama-Caro Gallery, London
“The New Concept,” Forum Stadtpark, Graz, Austria
“Not Photography,” Meyers/Bloom Gallery, Santa Monica
“Painting / Object / Photograph,” Barbara Krakow Gallery, Boston
“Tenir l’Image à Distance,” Musée d’Art Contemporain de Montréal
“Vis-à-Vis der Kamera,” Galerie Grita Insam, Vienna; traveled to Museum
voor Hedendaagse Kunst Het Kruithuis, Hertogenbosch
“Witness,” Fuller Gross Gallery, San Francisco

1988
“Alfredo Jaar: Public Project,” Institute of Contemporary Art, University of
Pennsylvania, Philadelphia
Photographic Resource Center, Boston University, Boston
Diane Brown Gallery, New York
Massachusetts College of Art, Boston
Galerie Gabrielle Maubrie, Paris
Galleria Lidia Carrieri, Rome
“Works, Concepts, Processes, Situations, Information,” Hans Mayer
Gallery, Dusseldorf
“Committed to Print,” The Museum of Modern Art, New York
“Presi X Incantamento,” Padiglione d’Arte Contemporanea, Milan
“Dennis Adams, Alfredo Jaar, Jeff Wall,” Tomoko Liguori Gallery, New
York
“Dennis Adams, Christian Boltanski, Sophie Calle, Alfredo Jaar, Stephen
Laub, Muntadas,” Craig Cornelius Gallery, New York
“Contemporary Art,” Williams College Museum of Art, Williamstown,
Massachusetts
“Lo Permeable del Gesto,” Centro Cultural Galileo, Madrid
“Public Discourse,” Real Art Ways, Hartford, Connecticut
“Révélateurs,” Galerie d’Art Contemporain, Centre Saint Vincent,
Herblay, France
“Temporary Public Art,” Storefront for Art and Architecture, New York

1987
Lannan Museum, Lake Worth, Florida
“Frame of Mind,” Grey Art Gallery and Study Center, New York University, New
York
Documenta 8, Museum Fridericianum, Kassel
19e Bienal Internacional de São Paulo, São Paulo
“American Policy,” Cleveland State University Art Gallery, Ohio
“Art and the Dialectic Process,” Everhart Museum, Scranton,
Pennsylvania
“Perverted by Language,” Hillwood Art Gallery, Long Island State
University, C.W. Post Campus, Greenvale, New York

1986
Herron Gallery, Indianapolis Center for Contemporary Art, Indianapolis
“Aperto,” Venice Biennale, Venice
“Artfor(u)m,” Gracie Mansion Gallery, New York
“When Attitudes Become Forms,” Bess Cutler Gallery, New York

1985
“Installation Projects: 1980-1985,” Grey Art Gallery and Study Center, New
York University, New York
18e Bienal Internacional de São Paulo
“Disinformation: The Manufacture of Consent,” The Alternative Museum,
New York
“Four Chilean Artists in the CAYC of Buenos Aires: Diaz, Dittborn,
Jaar, Leppe,” CAYC, Buenos Aires
“Freedom Within,” Staller Center Art Gallery, State University of New
York at Stony Brook
“Not Just Any Pretty Picture,” P.S. 122, New York

1984
“Art & Ideology,” The New Museum of Contemporary Art, New York
“Selections from the Artists File,” Artists Space, New York
“Aquí: 22 Latin American Artists Living and Working in the United
States,” Fisher Gallery, University of Southern California, Los
Angeles
“Art of the Americas,” Kenkeleba Gallery, New York
“Call and Response: Art on Central America,” Colby College Museum of
Art, Waterville, Maine
“Chronicles,” INTAR Latin American Gallery, New York
“L’Esprit Encyclopédique,” New York Public Library, New York
“Philosophies on the Art Process,” Makkom, Amsterdam
“Vision and Conscience,” University Art Gallery, State University of
New York, Binghamton

1983
“Catchwords,” Caidoz, New York
“Chile, Chile,” Cayman Gallery, New York
“Contemporary Latin American Artists,” The Chrysler Museum, Norfolk,
Virginia
“Hispanic Achievement in the Arts,” Equitable Center, New York
“In/Out: Four Projects by Chilean Artists,” Washington Project for the
Arts, Washington, DC
“Terminal New York,” Brooklyn Army Terminal, New York

1982
“Segundo Encuentro de Video,” Instituto Chileno-Frances de Cultura,
Santiago
12e Paris Biennale, Musée d’Art Moderne de la Ville de Paris
“Contextos,” Galería Sur, Santiago

1981
Segunda Bienal de Arte Universitario, Pontificia Universidad Católica
de Chile, Museo Nacional de Bellas Artes, Santiago
“Gráfica Chilena Contemporánea,” Museo Nacional de Bellas Artes,
Santiago
“Primer Encuentro de Video,” Instituto Chileno-Frances de Cultura,
Santiago
Quinta Bienal Internacional de Valparaíso
“Séptima Exhibición Colocadora Nacional de Valores,” Museo Nacional de
Bellas Artes, Santiago

1980
“Centenario del Museo Nacional De Bellas Artes,” Museo Nacional de
Bellas Artes, Santiago
“Salón de Gráfica Pontificia Universidad Católica,” Museo Nacional de
Bellas Artes, Santiago
“Segundo Encuentro de Arte Joven,” Instituto Cultural de Las Condes,
Santiago
“Sexta Exhibición Colocadora Nacional de Valores,” Museo Nacional de
Bellas Artes, Santiago

1979
Galería CAL, Santiago
“Primera Bienal de Arte Universitario,” Museo Nacional de Bellas Artes,
Santiago
“Quinta Exhibición, Colocadora Nacional de Valores,” Museo Nacional de
Bellas Artes, Santiago
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ALFREDO JAAR

 
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